Morocco - an essential reading list


The View from Fez gets a lot of enquiries about what books to read before coming to Morocco. So we have decided to make up a suggested reading list of books that we and others have found invaluable. Clicking on the links will take you to an on-line supplier. Enjoy!





















Morocco (Country Guide)

Simply the best and most up to date
guide book available. This is the 2009 edition by Paul Clammer.






















Fez Encounter

Discover twice the city in half the time with this is essential pocket sized guide book for Fez

…full-color pull-out map to help you navigate the medina with ease
…our resident author, Helen Ranger, recommends the best sights, restaurants, shops and entertainment
…unique itineraries and highlights to make the most of a short break in the world's last intact Medina.
…local experts reveal Fez’s secrets: from Si Mohammed el-Amrani on medicinal herbs to Dr. Armand Guigui on Jewish heritage in the Mellah.





















Moroccan Arabic: Lonely Planet Phrasebook

Don't leave home without it! It is very easy to use and the locals will appreciate even a few well chosen phrases.






















A House in Fez: Building a Life in the Ancient Heart of Morocco

Suzanna Clarke's bestseller is a real insight into life in Fez - not just about restoration but wonderful and heart-warming descriptions of everyday life in the Medina. There are English, Australian, American and Korean editions.






















Lords of the Atlas: The Rise and Fall of the House of Glaoua, 1893-1956

British author Gavin Maxwell (Ring of Bright Water) details the daily life, customs, and rituals in pre-independence Morocco and of recounts the rise and fall of El Hadj T'hani El Glaoui, the legendary tribal warlord through whom the French ruled one of their prize colonies in North Africa. He shows how the blend of Berber, Arab, and black African races created an extraordinary cultural mosaic and explains how the French colonialists recruited the Atlas Mountain tribal warlords to subdue the other tribes. As the chief beneficiary of this policy, El Glaoui was able to rule most of southern Morocco in an absolute fashion, until Morocco's independence from France in 1956 brought an end to the rule of a very colorful warlord. The book contains many superb color photographs that enhance Maxwell's lively narrative.


Fiction & Literature






















Spider's House: A Novel

This is the classic by Paul Bowles. A must read. The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles's writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country's 1954 nationalist uprising. Totally relevant to today's political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider's House is perhaps Bowles's best, most beautifully subtle novel.






















The Cobbler's Apprentice

Sandy McCutcheon's explosive international thriller contains some wonderfully evocative scenes in Fez.

''The best of the current crop of terrorist thrillers ... This intelligent novel blends the machinations of the spy novel with the action and geopolitics of the international thriller to produce a credible and truly scary read ... This is McCutcheon's finest novel to date.'Jeff Popple (Canberra Times)

'This book is nothing less than a rip-roaring action thriller with politicians and thugs, scientists and spies — and an unnerving sense of the possible.' Samela Harris (Adelaide Advertiser)

'It's a gripping read because of its eerie prescience. But in McCutcheon's professional hands, it will also have you reading on the edge of your seats.' Jan Hallam (Sunday Times)






















Secret Son

These two books by the wonderful author Laila Lalami are highly recomended!




















Hope and Other Dangerous Pursuits

To purchase simply click on the links!


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Fez Festival of Sufi Culture - 2009



Faouzi Skali

Brainchild of Sufi scholar, Faouzi Skali, the 3rd annual Fes Festival of Sufi Culture will be held from 18-25 April. The programme promises some fascinating discussion topics and superb concerts, including various Sufi brotherhoods from Morocco and Algeria, and the Egyptian master, Cheikh Ahmad al-Tuni.
The conference will be held in the Bouanania Medersa, and all the concerts in the Batha Museum.
For more information, see www.par-chemins.com.

a colourful audience at last year's festival

Provisional Programme:

Saturday 18 April

16h00-17h00 INTRODUCTION

Faouzi Skali (Forum President)

Politics and the Economy: Levers towards Spirituality?

17h30-19h00 FORUM: A Soul for Globalisation - Round Table 1

Preventing the food crisis

Dominique Voynet, founder of green political and ecological movement, former Minister of Land Management & the Environment in France, senator for Seine-Saint-Denis

Pierre Rabhi, writer, founder of 'Terre & Humanisme' movement

Nouzha Skalli, Minister of Family Social Development & Solidarity

Pascal Boniface, director of Institut de Relations Internationales et Stratégiques (IRIS) and professor at Institut d'Etudes Européenes

21h00-23h00 CONCERT

Mohammed Tarwat, Saad Tamsamani & Omar Sermini (Morocco/Egypt/Syria)

Songs of East and West

Sunday 19 April

09h00-12h00 FORUM: A Soul for Globalisation - Round Table 2

The end of capitalism?

Majid Rahnema, writer, former Minister of Science & Higher Education in Iran and professor at the American University of Paris

Hervé de Charette, former Minister of Foreign Affairs in the Juppé government, writer

Katherine Marshall, professor at Georgetown University, Director of the Forum, world leader faith and development

Mohamed Berrada, former Minister of Finance and Moroccan Ambassador in Paris, professor of economics

16h00-17h00 CONCERT

Abir Nasraoui & Curro Piñana (Tunisia/Spain)

Tribute to Ibn Arabi

21h00-23h00 CONCERT

Abd al Malik (France/Congo)

Monday 20 April

09h00-12h00 FORUM: A Soul for Globalisation - Round Table 3

Body & Spirit

Henri Joyeux, professor at the Medical Faculty at Montpellier, initiator of the series 'Health, Love & Sexuality', writer

Fanny Didiot-Abadi, psychotherapist, founder of the Centre Ethique International de Formations, and the Association Action Ethique Humanitaire

16h00-17h00 CONCERT

Les Rabia

21h00-23h00 PERFORMANCE

Qadiriyya Boutchichiyya Brotherhood (Morocco)

Tuesday 21 April

09h00-12h00 DISCUSSION: The Manuscripts of Ibn Arabi

David Hornsby, member of the Ibn Arabi Society, Cambridge

Denis Grill, writer on Islam, Ibn Arabi specialist

16h00-17h00 WORKSHOP: Body, art & spirituality

Georges Stobbaerts, Aikido Grand Master, founder of the Tenchi Tessen movement

Mbarek Alaoui, 8th Dan Aikido Master, disciple of Grand Master Georges Stobbaerts

21h00-23h00 PERFORMANCE

Charqawiyya Brotherhood (Morocco)

Wednesday 22 April

09h00-12h00 WORKSHOP: Poems in a Garden

presented by Rajae Slaoui

16h00-17h00 CONCERT

Delgocha (Iran)

21h00-23h00 PERFORMANCE

Wazzaniyya & Saqalliyya Brotherhoods (Morocco)

Thursday 23 April

09h00-12h00 DISCUSSION: Sufism & the Reform of Islam

Cheikh Khaled Bentounes

Eric Geoffroy, writer on Islam, Sufi specialist

16h00-17h00 CONCERT: Music & Chants of the Tidjanis

Daouda Dieye

followed by a discussion on the spiritual culture of Africa, with

Aoua Bocar Ly Tall, sociologist, founding President of African Women's Network

Salamatou Sow, researcher and teacher at the University of Niamey, working towards the knowledge and preservation of the Peul culture of Niger

21h00-23h00 PERFORMANCE

Alawiyya Brotherhood (Algeria)

Friday 24 April

16h00-17h00 FORUM: A Soul for Globalisation - Round Table 4

Democracy: the good and the bad

Assia Alaoui Bensalah, Moroccan roving Ambassador, Co-president of the Groupe des Sages pour le Dialogue des Peuples et des Cultures (EU), professor of law

Emmanuel Todd, politician, demographer, sociologist and French essayist

Benjamin Barber, politician and American writer, professor of Political Science at the University of Maryland, President of the international colloquium, Interdependent Day

Salman Shaikh

Hassan Ibn Ayyoub

21h00-23h00 CONCERT

Cheikh Ahmad al-Tȗni (Egypt)

Saturday 25 April

09h00-12h00 FORUM: A Soul for Globalisation - Round Table 5

The civilisation of globalisation

Edgar Morin, writer, Research Director Emeritus at CNRS, promoter of a new vision of development known as the 'politics of civilisation'

Bariza Khiari, well-known commentator in French politics on Muslim culture, socialist senator for Paris, co-founder of Club 21ème Century

Basma el Husseiny

16h00-17h00 CONCERT

Ali Alaoui (Morocco/France)

Moultaqa Salam

21h00-23h00 CONCERT

Taybah Ensemble, with Sabah Fakhri (Syria)

Tribute to Eva de Vitray-Meyerovitch



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Spotlight #2: Fez Sacred Music Festival 2009


Sami Yusuf is a British composer, singer whose concert at Bab Makina will be extremely popular.

Friday June 5.

Bab Makina 20h30

Sami Yussuf (United Kingdom)

Spiritual Songs of the Arab World

Sami was born in July 1980 into a musical family of Azeri origin. He learnt to play several instruments at a very young age and gradually began to show a keen interest in singing and composing. He studied music at several institutions and with renowned composers and musicians including composers from the Royal Academy of Music in London, one of the world most prestigious music institutions.

Sami has been composing from a very young age and his beautiful voice is supplemented by his extensive knowledge of music theory and harmony. He has also a good understanding of the Middle Eastern modes (or Maqams).

Sami is a devout Muslim who sees songs as a means of promoting the message of love, mercy, peace and tolerance and encouraging the youth to be proud of their religion and identity.

His third album, entitled Without You, was planned for release during mid-2008 but was delayed and then officialy launched in January 2009. Sami performed two of the songs from his new album in his Wembley concert (21 October 2007), and during his US tour, organised by Islamic Relief.


SAMI YUSSUF- Palestine by Mahdi


Spotlight #1: Fez Sacred Music Festival 2009



Fes Festival of World Sacred Music 2009 Program



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An ongoing problem at the Fez Festival.


Bab Makina

Since we posted the story on frequently asked questions about the Fez World Sacred Music Festival we have received a number of emails and comments about the bad behaviour of the Moroccan audiences at the Bab Makina. As one comment pointed out "The fact that Moroccans talk loudly, continuously use flash and call each other on their mobiles is disrespectful to both Moroccans and non Moroccans who have saved up their hard-earned $s, £s and €s to come to a SACRED music festival -- and to the artists who try to give heartfelt performances of often very subtle music."

"On one occasion there was a group of Moroccans behind me talking at full volume during exquisite moments of a performance of Sufi music. I politely asked them to be quiet. One man pointed to his skull and said to his companions "Elle est malade". -Audience member
It should be noted that quite often the problem is confined to the Moroccans in the front rows where, as one American celebrity visitor said, "I doubt that some of them even paid for their seats. One wonders why they came if they were not interested in the music." It may be the case that many of those causing offence are employees of one of the major sponsors and are attending with free tickets for social reasons. It probably true that if they had to pay for their seats they might pay a little more attention to the performances.

"I met an Englishman who was in tears because he could not find a place where people were silently appreciating the music. He was not a rich man and told me he had been saving for 3 years to come to the festival. He was totally disillusioned and vowed never to visit Morocco again." - Audience member

Other Americans associated with the festival tell much the same story - of people from the US distraught because of the noise and distractions from the Moroccan audience. It has been suggested that attendance by non-Moroccans is decreasing year on year because of this problem.

Audience at Bab Makina

Suggestions have been made that a separate area should be provided at the Bab Makina for people who want to talk during concerts -- but that mobile phone ring tones should not be tolerated and that this rule should be strictly enforced by the stewards.

Faouzi Skali ( before a performance)

American publicist for the festival, Cindy Byram, and others have tried to get something done about this problem for three years. The problem was written about in annual reports and several people say they have spoken directly about it with Faouzi Skali, then Naima Lahbil and now Fatima Sadiqi. None of these Director Generals appear to have paid any attention to what is a major problem. As one festival patron said "We doubt if anyone ever read our reports - let alone act on their recommendations." Others, including a number of regular visitors from France, say there seems to be a wall of resistance against suggestions made by non-Moroccan members of the festival team.

Another email pointed out an interesting contrast, "What is difficult to understand is why the boorish behaviour of the crowd at Bab Makina is not replicated at other venues. During the festival the concerts at the Batha Museum are met by an appreciative and respectful crowd. It is also true of the entire Sufi Festival where audience behaviour is extremely good. "

The audience at the Sufi festival.

We would be interested in hearing your response to the issue and suggestions as to how the problem can be corrected before this year's festival. Please feel free to post a comment or email us.

Fes Festival of World Sacred Music 2009 - Programme


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Spotlight #1: Fes Sacred Music Festival 2009



In the lead up to the Sacred Music Festival, The View from Fez will spotlight the various acts that are expected to appear. Some of these may change as the programme is refined.

Spotlight #1: Ziya Azazi

Sunday May 31. Bab Makina 20h30

1st part: The Whirling Dervishes of Konya (Turkey)

From Eternity to Modernity

2nd part: Ziya Azazi (Turkey)

Icons: Contemporary Dervish Dance

Ziya Azazi promises to be one of the Festival highlights. The last couple of years has seen some creative programming that offers a fusion of styles and cultural diversity. We have previously seen the blending of gospel and Qawwali, and also the Byzantine choir from Athens and the Al Kindi Ensemble from Damascus. With the programming of the whirling dervishes and Ziya Azazi we have a fusion of the old and the modern, of the traditional and the contemporary. The first part of the evening will be the traditional Whirling Dervishes.

With a worldwide reputation, the Whirling Dervishes of Konya have been blessed to live in the city where the great Sufi tradition was born in the 13th century. These musicians, singers and dancers (Semazens) have for about twenty years now represented one of the most interesting aspects of the mystical culture of Turkey. The Sema - the whirling dance - and the Zikr - the hymns sung by the sacred choir - are connected to each other, a spiritual ambience that leads the Dervish enter a mystical universe.


Ziya Azazi was born in 1969 in Antakya, Turkey.

In 1986, he moved to Istanbul where he graduated as a mining engineer. in the years 1989 - 1992 he taught himself gymnastics. between 1990 and 1994 he was engaged in the “state theatre of Istanbul” and made there his first choreographic works.

In 1994, he moved to Vienna where he continued his work in contemporary dance and gymnastics.

In 1999 he won the dance scholarship of the summer dance week (danceweb), including an honourable mention from the European jury as “the most outstanding dancer of the year for Austria”. he received this prize after performing his full evening solo "unterwegs tabula rasa".

Since 1999 he is studying the traditional dance of the sufis (dervish whirlers) and is choreographing his own interpretations of this dance as seen in his solos “work in progress I & II", “dervish in progress” and “`azab”.

Ziya Azazi has performed in many European countries in addition to Brazil, Colombia, Egypt, Korea, Thailand, Tunis, Turkey, the USA and Venezuela.

Al Kindi Dervishes from 2008 Festival
(photo credit; Sandy McCutcheon)

Spotlight #2: Fez Sacred Music Festival 2009



Fez Sacred Music Festival 2009: Ticket collection service.


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Fes Festival of World Sacred Music 2009 - FAQs




With interest in the Fes Festival of World Sacred Music hotting up, The View from Fez thought it would be a good idea to answer some frequently asked questions.

Where can I see the Festival programme?
The Festival's website is www.fesfestival.com. However, the programme can't be found there yet, and it's only in French. You can see the provisional programme in English here or on this blog, here. Keep watching The View from Fez, as there are always articles about the artists and events, before and during the Festival.

Where exactly is the Festival held?

There are several venues. Afternoon concerts (starting at 4.30pm) are held in the courtyard of the Batha Museum, marked as 'Musee Batha' on the map below. Evening concerts (starting at 8.30pm) are held at Bab Makina, the parade ground in front of the Royal Palace, in the far northwest of the medina. This lies west of Bab Boujloud on the map. There are free public concerts in Boujloud Square (Place Boujloud) at 6pm each evening. We don't have the colloquium programme yet, but this usually concentrates on global issues. It runs for four mornings, starting on 30 May and is held at the Batha Museum. There are also events held in the new city.

western side of the Fez medina

In Douh, you can see a small square named Place Sidi Al-Khayat. Here you'll find Dar Tazi, which is the Festival headquarters. Art exhibitions are held here, as well as a cafe litteraire and Sufi Nights that start at 11pm.

Where shall I stay?
Accommodation for the Festival period is still plentiful, but now that the programme has been released, guesthouses will start getting booked up. So the best thing is to make a reservation as soon as you can. See Fez Riads for a wide range of guesthouses and pensions. Bear in mind that it's a good idea to stay as close to the Batha area as possible.

How do I buy Festival tickets?
Contact Naima at the ticketing agency, Objectif Maroc. You can order tickets or a pass from her, and pay by credit card. Naima speaks English as well as French and Moroccan Arabic.
Objectif Maroc
9 Rue du Libye,
Fes Ville Nouvelle
Tel: 00 212 (0) 35 652 816/17/18
Fax: 00 212 (0) 35 624 993 or 35 621 776
Email: objectif_naima@menara.ma

Are there different categories of seats?
There are two categories for the concerts at Bab Makina in the evenings, A and B. The seats are unreserved, but the B seats are further back. It's a huge auditorium and the seating is raked, but the B seats are not as good as the A seats, as is reflected in the pricing. Note that if you buy a pass, you automatically have A seats. It's sometimes possible to buy tickets at the venue prior to the concerts, if it isn't sold out.
There's just one category of seating for the afternoon concerts at the Batha Museum, and it's a much smaller venue. Get there early if you want to grab a front seat.

How do I get my tickets?
You'll need to collect them from Objectif Maroc in the new city. This can be awkward if you're arriving on 29 May, perhaps tired from travelling, or with little time to take a taxi into the new city, find the agency and negotiate the inevitable queues. Taxi drivers invariably don't know where the office is, either.
You can use the ticket collection service provided by Fez Riads. Simply give Fez Riads your invoice number, and your tickets will be delivered to your guesthouse. The cost of this service is Dh300 if you're a Fez Riads client, or Dh400 if you're not. Just click here to find out all about it.

What should I bring?
For the afternoon concerts, a sunhat, suncream, sunglasses, bottled water ... maybe even a fan. For the evenings, bear in mind that it can get windy and chilly and sometimes rains. You might like a cushion for the somewhat uncomfortable seats. Most importantly, you'll need patience and a sense of humour. The Moroccan way of enjoying concerts is to talk through them and answer phone calls. They might also applaud in places where westerners wouldn't. It's simply a different way of appreciating the artists.

Please let us know if you have more questions and we'll do our best to answer them. Enjoy the Festival!

Map from www.fez-riads.com, reproduced by kind permission of PM Editions, publishers of Fès, from Bab to Bab, a useful book of walks in the medina.




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Fez Festival of World Sacred Music. 2009.





The View from Fez is delighted to announce the provisional programme for this year's Fes Festival of World Sacred Music.

We don't know the theme of this year's festival, we don't have the colloquium programme yet, but we can tell you who will be performing (provisionally, that is). Keep your eyes glued to The View from Fez, because we always have the latest news and during the Festival, will keep you up to date with what's going on.

Fez Riads
has a ticket collection service for those visiting Fez for the Festival. Just click here to find out all about it.

FESTIVAL OF WORLD SACRED MUSIC

29 May - 6 June 2009


Provisional Programme

Friday 29 May Bab Makina 20h30 (A seats €56; B seats €37)

Marcel Khalifé with the Al Mayadin Orchestra, with Oumeima Al Khalil and Yolla Keryakos (Lebanon/Morocco/Greece)

Tribute to Mahmoud Darwich

or

José Carreras (Spain)

Sacred Songs

Saturday 30 May Batha Museum 16h30 (€14)

Shantala Shivalingapa (India)

Kuchipudi Dance

Bab Makina 20h30 (A seats €47; B seats €28)

Marwa Wright (USA)

Gospel


Sunday 31 May

Batha Museum 16h30 (€14)

Mohammad Motamedi (Iran)

Songs: The Art of Radif

Bab Makina 20h30 (A seats €37; B seats €19)

1st part: The Whirling Dervishes of Konya (Turkey)

From Eternity to Modernity

2nd part: Ziya Azazi (Turkey)

Icons: Contemporary Dervish Dance


Monday 1 June

Batha Museum 16h30 (€9)

Yuval Ron with Najwa Gibran (USA)

Music in the Judeo-Arab Tradition

Bab Makina 20h30 (A seats €28; B seats €14)

Didier Lockwood (France) with his String Sextet, with Ihsan R'Miki and the Zaman al Wasl Ensemble (Morocco)Strings & Soul a creation by Didier Lockwood (arrangements: R. Regragui, Morocco)


Tuesday 2 June

Batha Museum 16h30 (€9)

Women of Mayotte (Mayotte)

Deba de Hamjago

Bab Makina 20h30 (A seats €28; B seats €14)

Souad Massi (France/Algeria)


Wednesday 3 June

Batha Museum 16h30 (€9)

I Muvrini (France)

Sacred and popular songs from Corsica

Bab Makina 20h30 (A seats €28; B seats €14)

Keyvan Chemirani (musical director) with Samira Kadiri, Esperanza Fernandez & Giorgis Xyloyris (Iran/Morocco/Spain/Greece)

Melos - Songs of the Mediterranean

Thursday 4 June Batha Museum 16h30 (€9)

Divna (Serbia)

Orthodox Sacred Songs

Bab Makina 20h30 (A seats €28; B seats €14)

1st part: Sistine Chapel Choir (Vatican)

A capella songs: the sacred Christian tradition from the Middle Ages to the Renaissance

2nd part: Abed Azrié with the Mediterranean Youth Orchestra & the Choir of the Institut Spérieur de Musique de Damas (France/Syria)

Evangile selon St Jean


Friday 5 June

Batha Museum 16h30 (€9)

Gabriel Garrido and the Elyma Ensemble (Switzerland)

Baroque Music of Monteverdi

Bab Makina 20h30 (A seats €56; B seats €37)

Sami Yussuf (United Kingdom)

Spiritual Songs of the Arab World


Saturday June 6

Batha Museum 16h30 (€14)

Razbar Ensemle and The Ahl e Haqq Brotherhoods

Mystical songs of Iranian Kurdistan

Bab Makina 20h30 (A seats €47; B seats €28)

Loreena McKennit (Canada)

The Book of Secrets


Festival Pass in A category seats, including access to all concerts €260

Pass for the Festival and the Colloquium €310

Pass for the Colloquium only €50

Ticket agency:

OBJECTIF MAROC
9 RUE DE LYBIE, FES
TEL : + 212 35 65 28 16/17/18

FAX : + 212 35 62 49 93/ 35 62 17 76
E.MAIL
:objectif_naima@menara.ma



See also: An ongoing problem at the Fez Festival.


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Latest story links.


SoireePrive@FezLounge

Dance Festival in Fez Medina


Fez Medina Gossip #3507



Advertising Moroccan style!!!


Moroccan Kaftans hit the catwalk:


A Thought for the day!



The delicate art of Moroccan Henna



Caring for the blind in Morocco:


The sale of Dar Ba Mohamed Chergui:


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Restoring a house in Fez - reprint




We have had a lot of requests to repost one of our older articles on house restoration. So here it is!



Although buying a riad or dar in the Fez Medina may sound like an attractive and even romantic proposition. It is important to remember that this is a World Heritage listed city. That means that any restoration must be carried out in a way that conserves the heritage values. This can be time consuming and difficult. Below you will find some more information on Fez and also some photographs of the kinds of problems facing anyone wishing to start work on a renovation.


Damaged woodwork in a Dar

The Medina was listed by UNESCO in 1981. Founded in the 9th century and home to the oldest university in the world, Fez reached its height in the 13th–14th centuries under the Marinids, when it replaced Marrakesh as the capital of the kingdom. The urban fabric and the principal monuments in the medina – madrasas, fondouks (inn and storehouse, known as a caravanserai in the eastern part of the Arab world), palaces, residences, mosques and fountains - date from this period. Although the political capital of Morocco was transferred to Rabat in 1912, Fez has retained its status as the country's cultural and spiritual centre.


A Dar with extensive structural and zellij damage

Fez has fortified walls, 8 kilometres long. Cities with complex and labyrinth alleys were built in the Mediterranean region to thwart invasions. The ancient city of Fez is a superb example.

Construction began at the end of the 8th century. Mosques were built in the centre, and shops and houses were built as close as possible. The tangled narrow streets make up the world’s most complicated labyrinth city. It is almost impossible for newcomers to find their way.

There are bicycles but there are no cars. People rely on donkeys to carry goods. Women in Muslim society have kept to the tradition of not revealing their faces to men other than their family members. There is a tradition of sitting by a rawashin window. The women used to watch the outside world through its holes.


Courtyard of a Riad. The modern tilework on columns needs replacing


The doors in the medina were built in alternate positions because the alleys are so narrow. Though the alleyways are dark, the houses inside are bright and open. A patio allows fresh air and light to stream in, while the high walls block the sun’s rays. A central aspect of Islamic architecture. The medina’s rooftops include a series of open air spaces leading to a patio below.


A Dar needing a great deal of careful restoration

People living in the Old City of Fez are said to spend their life within the city walls without ever going outside. The spirit and tradition of medieval Islamic society lives on, here, in Fez.


Hand carved plaster can be difficult to repair

LINK: A Moroccan Glossary

LINK: Introduction to Domestic Architecture in the Fez Medina

LINK: THE VIEW FROM FEZ: What is a riad?


LINK: THE VIEW FROM FEZ: Why restore a house in Fes?

LINK: Everything you need to know about conservation/renovation


The central courtyard of a Riad can be a lot of work!


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Keep up to date: You can Twitter The View from Fez




For those on the move, The View from Fez now has joined Twitter - so that wherever you are you can get news of new stories being posted. Simply go to Twitter, create your account and then go to http://twitter.com/fesriad and click on the Follow link in the right menu. Simple. Then you can organise for stories to come to your phone or computer. For those who use the Firefox browser you can get a Twitterfox add on that will act as a pop-up for story updates

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Travel Writing about Morocco #22


Fez- a place of secret delights.

An article entitled Authentic Morocco by Jonathan Gregson writing for the Financial Times is a much better crafted piece than much of the gushingly Orientalist fare served up by the tabloids. Here is a short extract.

If what you seek in Morocco is sunshine with all the usual international trimmings - designer interiors, capacious swimming pools, a choice of spa treatments and/or golf courses - all served up with just a twist of Old Araby, then follow the herd and head for Marrakech. Massive infusions of mainly Gulf money are transforming its surrounding palmeraie into a Palm Springs-style playground in the sun, while the old town is now studded with estate agents quoting prices in euros rather than dirhams.

If, however, you want to be transported into a completely different world, then go to Fez. It's not just that it is the oldest of Morocco's four imperial cities (the others being Meknes, Rabat and Marrakech) and is this year celebrating its 1,200th anniversary; nor even that the entire Medina has been awarded Unesco World Heritage status. Rather it is because when it comes to such intangibles as dignity, refinement and sheer authenticity, Fez wins hands down.

That may be because Fez el Bali (Old Fez) remains a fully functioning medieval city, a hive of industry whose products - be they filigree work or bridal thrones - are as much in demand among local buyers as foreigners. On weekends, its succession of souks (which on first acquaintance resemble a medieval department store) are crammed with Berber villagers and more sophisticated visitors from Casablanca or Rabat, all seeking wedding presents or hand-crafted furnishings for their own homes.

The pride that Fassis (the people of Fez) take in their craftmanship and industry - many of the skills came with refugees from Andalucia fleeing the Reconquistá - may account for a certain hauteur. It also makes this city feel quite distinct from most other picturesque relics of a bygone age, whose economic survival depends on tourism and whose residual population is there to "service" the visitor.

Some find such un-Disneyfied authenticity frightening. It certainly came as a shock on my first visit some 30 years back. I was no novice, having already been through Marrakech, the High Atlas and the southern oases; but nothing had prepared me for the unique combination of timelessness and big-city intensity I found in Fez. I felt like an Oklahoma boy just arrived in Manhattan, overwhelmed by the crush of humanity and their hurried big-city ways.

For crowded within the city's 13th-century walls are religious scholars and merchants, wool carders and dyers, tanners, silk weavers, slipper makers, woodcarvers, silversmiths and brass-workers, porters, barrow boys, muleteers and donkey-men. These last because the streets and alleyways of Fez el Bali are so steep and so narrow that no motor vehicle can enter.

Everything that is consumed or produced within the city must be carried by man or beast. "There are 10,000 donkeys," I was informed, "and that is if you count only the four-legged ones." So, while walking around the Medina, it is best to keep an ear open for the cries of " Balak! Balak!" that announce the arrival of a donkey-train just in time for pedestrians to take evasive action. Also, to follow the Fassi custom of skirting the sides of thoroughfares (like British motorists, they keep to the left) so as to avoid being bumped by the passing animal's load - which could be anything from a new refrigerator to uncured hides.

While there are a few main arteries through the Old City, such as the Grand Tala ("our own Champs Elysées"), most of the alleyways twist and turn so much that you are certain to get lost sooner or later unless you have a guide. Not that I find this an altogether unpleasant sensation. By wandering aimlessly I discovered a traditional apothecary whose glass cabinets contained all manner of marvellous cures, from powdered herbs and minerals to desiccated lizard. On my last visit I turned down a covered alley to find myself following what seemed to be an endless silken thread, as though on Ariadne's trail. At the end of it was a moustachioed weaver, juggling with two spools, who had seen fit to use this public byway as his workshop.

Here is a link to the full article: Authentic Morocco

Check out our earlier travel writing stories:

Travel Writing Twenty-one
Travel Writing Twenty
Travel Writing Nineteen
Travel Writing Eighteen
Travel Writing Seventeen
Travel writing Sixteen.
Travel Writing Fifteen.
Travel Writing Fourteen.
Travel Writing Thirteen.
Travel Writing Twelve.
Travel Writing Eleven.
Travel Writing Ten.
Travel Writing Nine
Travel writing eight
Travel writing Seven
Travel Writing Six
Travel Writing Five
Travel Writing Four
Travel Writing Three
Travel Writing Two
Travel Writing One



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Magic in Morocco


Moroccan and foreign prestidigitators (yes, that's magicians) raised the curtain this week on the 5th International Magic festival in Marrakech. The opening performance ran for an hour and a half, with the magicians performing illusions and tricks to the amazement of an audience of young students.

Held between March 20 and 23, the festival, which brings together magicians from Morocco, Spain, Italy, France, Belgium and Austria, seeks to rival other international magic festivals such as those of Las Vegas and Los Angeles in the United States, and Cannes in France.

If you are in Marrakech then check it out at the three sites - The Royal Theatre, the Megarama Cinema Complex and the mystical palace Jamaa El Fna. There will also be a number of free events that will be organized for the benefit of orphans in the region.

The festival is expected to be attended by some 200,000 spectators, with highlights of a tour of neighboring districts of Marrakech, such as Tahannaout, Chichaoua, El Kelaa and Essaouira.


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A Place of Pilgrimage for Musicians and Music Lovers




The 14th Fes Festival of World Sacred Music takes place this year from 6 to 14 June in the ancient city of Fes (Fez), Morocco. This year celebrating the 1,200th anniversary of its founding, Fes has become a global music destination since the start of the festival following the first Gulf War. The Fes Festival lures both musicians seeking fresh ideas and renewed inspiration as well as international music lovers, many of whom return year after year. VIP guests last year included members of the Irish supergroup U2, composer Osvaldo Golijov, and Queen Rania of Jordan.

Visitors can expect a magical experience, because 2008 looks set to be outstanding – with a spectacular international line-up devised by Artistic Director Gerard Kurdjian. It reflects diverse forms of musical creativity – from grass roots folk music to popular entertainment to the formal European classical traditions. The theme of this year’s festival is Paths to Creation.

The star of the opening night concert in the magnificent setting of the Bab Makina palace courtyard, is the American diva Jessye Norman, who will sing with the Avignon Lyric Orchestra conducted by Rachael Worby. Jessye Norman is one of the undisputed greats of the operatic world. She has sung all the major soprano roles and is especially acclaimed for her performances of Verdi’s Aida.

There will be two dazzling dance performances at the Bab Makina later in the week – flamenco from Spain’s Belen Maya and traditional sacred dances from Indonesia featuring The Panti Pusaka Budaya Ensemble.

2008 also sees the return to the Fes Festival of the Sufi master musician Julian Weiss with the Al-Kindi Ensemble featuring guest a vocalist Sheikh Hamza Shakour from Damascus. In collaboration with The Byzantine Tropos Choir from Athens, they will premiere a Christian and Muslim homage to the Virgin Mary in the form of a Stabat Mater Dolorosa.

More intimate afternoon concerts take place beneath a giant Barbary oak in the Andalusian gardens of the Batha Museum. This year’s program includes Mari Boine from Norway performing Sami sacred songs from the Scandinavian far north and Thanh Huong singing Vietnamese traditional sacred songs. /more2

European classical sacred music comes from Cantus Coln from Germany and Madhup Mughal from India offers a programme of devotional songs from the sub continent.

Late night excitement is generated in the medina’s Dar Tazi gardens where Moroccan Sufi brotherhoods entrance audiences with ecstatic music into the wee small hours. And in the Place Boujloud the people of Fes gather at dusk for the Festival in the City series of free concerts.

This year the Fes Rencontre forum brings academics, philosophers, politicians and priests together to examine the role of the sacred in modern life. Mohammed Sarwar, the UK’s first Muslim MP, will be among the speakers.

Last year U2 spent time in Fes during the festival, writing and rehearsing their new album, set to be released this October. They have since spoken passionately about the transformational experience they discovered at the festival. “Fes is a holy place for musicians “says Bono, humanitarian activist and singer with the group, “we came to pay tribute and to learn. We are on a pilgrimage”.

Bono’s perspective is shared by Sir Nicholas Pearson, Chairman of The Temenos Academy: “Fes and its sacred music festival has a unique opportunity to become the place where Islam meets the West in open and fair-minded dialogue,” he says. “It is for this reason I believe Fes should become a place of pilgrimage for people of goodwill from all religions. We should come to Fes to resolve our differences and celebrate our common humanity. “

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Fes Festival highlights #1


Between now and the opening of the Fes Sacred Music Festival 2008 we will bring you background information on some of the stand-out performers. Top of the list is Mari Boine - whose voice has to be heard to be believed. She is performing Sunday 8 June at the Batha Museum 16:30 in a program called Sacred Songs of Scandinavian Far North.



Mari Boine Persen is a Norwegian Sami musician known for having added jazz and rock to the yoiks of her native people. Boine (born 8 November 1956 in Finnmark, Norway) grew up amid the Laestadian Christian movement as well as amidst discrimination against her people. She was asked to perform at the 1994 Winter Olympics in Lillehammer, but refused because she perceived the invitation as an attempt to bring a token minority to the ceremonies. Gula Gula - Hear the voice of the tribe's Mother 1989, (Real World) was her breakthrough release, and she continued to record popular albums throughout the 1990s.


Mari Boine's music is dominated by her strong and urgent voice, plus a few carefully selected instruments from people all over the world, notably the native South Americans, chosen in part due to their history of even harsher colonization. Most distinctive is her drum. She uses an African drum, but the combination of drum and voice goes back to ancient Sami culture and pre-Christian shamanism.

"The colonizers brought Christianity and told the Sami they had to forget their primitive religion - and music was part of that religion. A lot of people of my parent's generation don't accept the music, they say it's devil's music and what you sing when you're drunk - the colonizers also brought alcohol. When I started to use a drum some people got worried and said, 'Is she a Shaman?' So I decided I couldn't use a Sami drum."

"I think your voice is a mirror of your soul and how you feel inside. When I began I was singing pop songs and ballads and didn't sing from the heart. Over the last ten years I've been fighting this feeling of being inferior to Norwegian or western people and my voice got stronger as I decided I wouldn't let anyone oppress me and that I have a value as Sami. Western culture makes a distance between you and your body or heart. In Sami culture you think of everything as a whole."



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Fes Sacred Music Festival Ticket collection service.



One of the most annoying things about arriving in Fez for the Sacred Music Festival is having the hassle of finding and getting to where you can pick up your tickets. Unfortunately even the taxi drivers experience problems finding the location of the ticket office and if you have just been travelling from overseas the last thing you probably need is to go hunting around Fez for your tickets. Thankfully after the problems last year a solution has been found in the form of the
Fes Festival Ticket Collection Service.
Here is what they can do to make life easier

For those attending the Fes Festival of World Sacred Music (6-14 June 2008), we offer a ticket collection service. Once you've ordered and paid for your tickets through the ticketing agency, Objectif Maroc, send us your invoice number and we will collect your tickets and deliver them to your guesthouse in time for your arrival. The charge is Dh300 (approximately 27 Euros) per set of tickets per person or group.

To find out more about this great service visit FES FESTIVAL TICKET COLLECTION




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Fes Festival of Sacred Music 2008


The 14th annual Fes Festival of World Sacred Music will take place between 6 to 14 June 2008. The latest updated program is below.

Friday 6 June Opening Night

Bab Makina 20:30

Jessye Norman (USA), with the Regional Lyric Orchestra Avignon Provence (France). Conducting: Rachael Worby (USA)

Saturday 7 June

Batha Museum 16:30

Ghada Shbéïr (Lebanon) Songs of the Eastern Christian Churches

Bab Makina 20:30

Night of Sacred African American and Sufi Songs Night

Spiritual/Hymns/Qawwali/Gospel

Faiz Ali Faiz (Pakistan) ensemble with and Bernice Johnson Reagon and the Sacred Sound Ensemble (USA)

Sunday 8 June

Batha Museum 16:30

Mari Boine (Norway) Sacred Songs of Scandinavian Far North

Bab Makina 20:30

Al Kindi ensemble with Sheikh Hamza Shakour, the Munshid of the Great Umayyad Mosque and the Choir of Greece - Dir. JJ Weiss (Syria/Greece/France)

Stabat Mater Dolorosa - Christian and Muslim Homage to Mary

Monday 9 June

Batha Museum 16:30

Thanh Huong (Vietnam) Traditional and sacred songs

Bab Makina 20:30

Belen Maya Company (Spain) Dibujo Flamenco dance


Tuesday 10 June

Batha Museum 16:30

Tartit Women's Ensemble (Mali) Folk and sacred songs of the Tuareg

Bab Makina 20:30

Panti Pusaka Budaya Ensemble Sacred Traditional Dances of Bali / Indonesia


Wednesday 11 June

Batha Museum 16:30

Ysaÿe Quartet (France) The Seven Last Words of Christ (J. Haydn) Text: Michel Serres – Narrator: Michael Lonsdale


Thursday 12 June

Batha Museum 16:30

The Roza Enflorese (Belgium) Sephardic sacred and traditional songs

Bab Makina 20:30

Abdelwahab Doukali (Morocco)


Friday 13 June

Batha Museum 16:30

Cantus Colln (Germany) Around JS Bach/Spiritual Paths (Buxtehude - J. Rosenmüller - JS Bach) Director: Konrad Junghanel

Bab Makina 20:30

Mohamed Abdou (Saudi Arabia)


Saturday 14 June

Batha Museum 16:30

Madhup Mudghal (India) Bakhti devotional songs

Bab Makina 20:30

Ismael Lô (Senegal) with the Brotherhood Hamadcha of Fez (Morocco) From Dakar to Fez: from heart to soul


ADDITIONAL EVENTS

Photographic Exhibition: The Earthen Mosques of Mali – Christian Schuytiser
Film: Latcho Drom by Tony Gatliff (on gypsies from Rajasthan to Andalusia – premiered at the Cannes Festival)

A reminder: A ticket collection service is suggested if you are arriving from outside Morocco. Find out here: Ticket Collection Service


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Fez Sacred Music Festival 2008 (6 -14 June)



Thanks to Lumen, here is the provisional programme in English

Friday 6 June
Jessye Norman (USA) with the Orchestre Lyrique Régional Avignon, Provence (France), directed by Racael Worby

Saturday 7 June morning
Songs of the Christian Churches of the East
Ghada Shbéïr (Lebanon) (BBC World Music Award 2007)

Saturday 7 June evening
Night of Sacred Afro-American and Sufi Songs Spirituals/Hymns/Qawwali/Gospel (Pakistan/USA)
Faiz Ali Faiz Ensemble and Bernice Johnson Reagon and the Sacred Sound Ensemble

Sunday 8 June morning
Sacred Songs of the Lapps from Northern Scandinavia
Mari Boine (Norway)

Sunday 8 June evening
Peace Songs
Joan Baez (USA) (to be confirmed)

Monday 9 June morning
Traditional Sacred Songs
Huong Thanh (Vietnam)

Monday 9 June evening (in the Merenides Quarry)
Dibujos Flamenco Dance Creation
Belen Maya (Spain)

Tuesday 10 June morning
Jesus Meine Freunde (JS Bach)
Ensemble Cantus Cölln (Germany)

Tuesday 10 June evening (in the Merinides Quarry)
Traditional Sacred Dance from Bali
I Made Djimat Ensemble (Indonesia)

Wednesday 11 June morning
The Seven Last Words of Christ (J Haydn)
Quatuor Ysaÿe with soloist Michel Serres (France)

Thursday 12 June morning
Traditional Sacred Sephardic songs
La Rosa Enflorese (Belgium)

Thursday 12 June evening
Evening of Moroccan music (to be confirmed)

Friday 13 June morning
Popular Sacred Songs of the Tuaregs
Ensemble des Femmes Tartit (Mali)

Friday 13 June evening
Mohamed Abdou (Saudi Arabia)

Saturday 14 June morning
Hindu Devotional Songs in the Tradition of Northern India
Madhup Mudghal (India) (to be confirmed)

Saturday 14 June evening
From Dakar to Fez: from Heart to Soul
Ismael Lô (Senegal) with the Tijaniya Sufi Brotherhood or the Hamadcha Sufi Brotherhood of Fez (Morocco)

ADDITIONAL EVENTS

Photographic Exhibition: The Earthen Mosques of Mali – Christian Schuytiser

Film: Latcho Drom by Tony Gatliff (on gypsies from Rajasthan to Andalusia – premiered at the Cannes Festival)

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Moroccan recipes from a Moroccan kitchen!

A Moroccan Kitchen is a new blog by two Moroccan women who are learning English and happy share the secrets of Moroccan cooking. You can post a comment asking for recipes! Find Sabah and Samira here: A Moroccan Kitchen

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Fez restaurants - Zen Garden


Once in a while even the most dedicated Medina dweller craves a change and heads into the Ville Nouvelle for a meal. According to our foodie friends the choice is usually between Zagora, Vesuvio, The Majestic, Trois Source and Zen Garden.

Here at The View from Fez we have always favoured Trois Source for the fish and the ambiance especially as they now run a free taxi service to and from the restaurant. Recently however we have been straying to to the relatively new Zen Garden.

Our first encounter was a delightful lunch of what is probably the best pizza on offer in Fez. We tested the vegetarian - superb with a wide range of fresh vegetables and good cheese - and the Zen Garden Pizza which was equally good. The souffle with Grand Marnier was excellent.

Yesterday the pizza craving struck and we returned only to find that the pizza oven was being repaired. So, we tried the fish. The dorade was beautifully cooked, simply presented and with a small portion of vegetables cooked to perfection.

The wine list is fine, the service quick and efficient and there is a small but pleasant outdoor area which is great for nighttimes in summer.

Watching strangers eat can be fascinating!

CONTACT DETAILS

26 Avenue Omar Ibnou Khattab
Email: zengardenfes@yahoo.fr;
Phone 035 932 929


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Meknes - the essentials.

Racing through the streets of Meknes in a caleche

While there is a friendly bit of banter from time to time comparing Fez and Meknes, nobody takes it too seriously because it is not a comparison of equals. Meknes is smaller, there is less for a visitor to do and the tourist industry is not nearly as well organised as Fez.

Recently a major travel organisation sent a small team to check out Meknes and The View From Fez had the pleasure of tagging along. What we discovered was that it is certainly worth a visit.

Place el-Hedim

First of all, trying to get a map of Meknes from the tourist authorities in the major tourist locations was impossible. "Could we have a list of riads, hotels, restaurants?". Yes, but not to take away. They had one copy which was both limited and of little use. Eventually we tried in the regional tourist office in the new city - and there they let us keep the lists.


So what do tourists do in Meknes? They visit the Place el-Hedim and the Bab el Mansour which is one of the most impressive gates in Morocco. After a stroll through the covered market at the side of the el-Hedim square where the stallholders displays are snapped by every camera, it is usually straight back on the bus and off to the Heri es-Souani.

I spoke to the guide at the Dar Jamai museum at the northern end of the Place el-Hedim, who said that sadly, despite the fact that the is an interesting building with some fine exhibits and a beautiful Andalucian style garden, many tourists don't visit, preferring to sit in the Place el-Hedim and have coffee or orange juice.

On a two hour amble around the Medina we took in the major sites that are certainly worth a visit.

The covered market.

The market is off the Place el-Hedim and is famous for the displays of spices, fruit and vegetables. For those with a sweet-tooth, this place is a paradise of confectionery. There is also a meat and fish section. However, like many souqs in Morocco, the sale of chameleons and other small animals and reptiles is disturbing. While the use of chameleons in traditional medicine is part of the fabric of Moroccan culture, the conditions in which they are kept are both deplorable and ignorant. We saw dozens of chameleons in distressed conditions, dehydrated and without food.

Olives & preserved lemons - beautifully displayed.

Caged hedgehog

The downside - caged tortoise and chameleons.


Dar Jamai Museum.

Entry to the museum is the standard ten dirhams per person. Normally photography is forbidden, but we were given permission to take photographs without using flash. The ceramics and embroidered fabrics were superb, but the star of the show is the building itself with a fabulous domed sanctuary (koubba) and beautiful garden.

The museum entrance off Place el-Hedim

The magnificent koubba

Iraqi glass windows

The Andalusian garden

Medersa Bou Inania


This fine example of Merenid architecture (built in 1358) is certainly not as well maintained or as lavish as the one in Fez, but is still worth a visit. Do make certain that the guardian gives you a ticket and does not simply pocket the ten dirham entrance charge.

The central courtyard is superb as is the zellij and Arabic ceramic script on some of the walls. Make sure you find the stairs and make your way to the roof for the spectacular view

The two different scripts in ceramic


One view from the terrace


Heri es-Souani

Just south of the now restored Agdal Basin are the famous granaries - possibly the most impressive monument in Meknes. This vast storehouse was used to store the grain for feeding some 12,000 horses in the stables of Moulay Ismail. Film buffs will recognise the location from films such as The Last Temptation of Christ. While the location is on every tourist's agenda, our Meknes taxi driver took about forty-five minutes to find it.


Vast storerooms

One of the ancient grinding wheels

The storerooms go on ... and on..

Out and about


Setting out in search of lunch we headed to the ville nouvelle and went to the Pizzeria Le Four - not Pizza as we know it, but if you want a quiet place with good wine and ok salads it will do.

In the evening we found a place called La Casa. The menu looked good, but when ordering the smoked trout we were told - not available. This was repeated with other offerings until we settled on prawns, calamari and some white fleshed fish. All fresh and excellent.

Returning for a little shopping in the souqs we soon discovered that there is not as much variety although prices were generally the same or slightly lower and accompanied by slightly less hassling than is the case in Fez.

The mannequins rival those in Fez!

Strictly for tourists.

For those with some time on their hands and want to chill out a little, Meknes is a good place for a couple of days and of course handy to Volubilis and and the hill town of Moulay Idriss.


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Buying antiques in the Fez Medina

The other day The View From Fez had a visitor turn up at Riad Zany, asking if we would like to come and inspect a house full of antiques. This was a follow-up from our story about buying antiques in Fez. We were intrigued and, despite having no money for such things and little expertise - we decided to investigate.

After a convoluted trip through the winding back streets of the Ville Nouvelle, we ended up at a nondescript apartment, climbed the stairs and found ourselves in a room filled with antiques.

The owner was not willing to let us make detailed photographs of the individual items but just to give you a rough indication, we found 9 banquettes with carved bases and pure wool covers and cushions, a matching circular table, 11 standing clocks, two grandfather clocks, 6 pairs of ornate candlesticks, 4 mirrors, 5 chandeliers (in good condition) a silver samovar, an extraordinary lion-head door knocker, trays, lamps, wall sconces, a hat stand, 2 incense burners and a very unusual carved marble pillar. There was much much more.

The grandfather clock which was purchased

The style of the antiques is varied but probably centred around the 1930s - and the prices being asked vary from the expensive to the reasonable end of the scale. We mentioned the clocks to a friend who was delighted by the style and quality and purchased the one pictured above. The View from Fez couldn't restrain ourselves and bought an delicate Iranian water jug and basin (below).

The owner of the antiques does not want his details published but we would be happy to pass on information to anyone genuinely interested. Email: fes.riad@gmail.com

Iranian hand-washing jug and basin (click on image to enlarge)


See also: Buying antiques in Fez


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A Sufi night in Fez

Earlier we published the Sufi Night in five parts - here is the complete night in chronological order


The activity started at ten in the morning for an event that doesn't begin until eight at night. All day things were being delivered, food, tables, incense burners and then a surprise - at three in the afternoon several of the musician who had to travel from out in the countryside, arrived early and took up residence in the courtyard.

Carpets were spread out, chairs arranged, tables set up and a bottomless lake of mint tea was served.

Meanwhile in the kitchen a mountain of couscous was being prepared.

Inside the salon, the phone kept ringing with people asking if we could fit them in and on the email the news that some people could not attend because of the strike on Alitalia airlines. Others, fresh in from the USA, phoned to say they had arrived.


Still the numbers expected to attend were increasing and so more food and plates were ordered.

Soon it begins. The rain that was predicted has thankfully stayed away and so it will be a good night, inshallah!

The Hamadcha Brotherhood Sufi night at Riad Zany was attended by around fifty invited guests - which meant a lot of preparations. A team of workers spent the day preparing a mountain of coucscous, salads, deserts and tagines.
Mint was collected for tea, incense was specially selected and tables and chairs laid out. Special orange blossom water dispensers were filled ready to sprinkle on arriving guests.

In the kitchen, Thami, from Thami's Restaurant, led the cooking preparations from ten in the morning.

Plates of nuts, cakes and dates were set out an a special bowl of milk set aside for the welcoming ceremony.

At around 8 pm the first of the guests started to arrive in the courtyard... The Hamadcha are very much respected by the local people and in the streets outside there were many people gathering to see the Brotherhood or at least hear the music.

Just after 9pm the musicians had been fed and they headed out to assemble in the small square at the end of our derb (street). Many of our neighbours had been invited but scores of others hung off trees, perched on shoulders and craned necks to get a glimpse of the proceedings.

Then the drumming started on the hourglass shaped gwal, followed by chanting and blasts from the small but powerful trumpet like instruments (ghita) carried by two of the twelve musicians.

One of the gwal players

In one departure from the usual custom the Hamadcha had invited Fred Calmes from Riad Zany to perform with them and as he donned the red cloak and accepted a drum (gwal) his face was a picture of concentration.

The procession - musicians and guests - made there way slowly up the derb to Riad Zany, proceeded by the ceremonial welcoming bowl of milk. Inside, even more guests were arriving...

By ten pm the welcoming chants and prayers had been performed and it was time to get into the various stages of the hadra (ecstatic dance). The musicians stod in a line and urged on by their leader (muqaddim) began to sway and then bob up and down as they chanted. A Hamadcha ceremony has some parts which are described as cold hadra - others as hot hadra all of which are intended to lead the performers and others who decide to dance into a state of altered consciousness or trance.

The endless energy of the musicians is infectious as while at first it was mainly Moroccans who got to their feet, during the first hot hadra section almost all the foreign guests joined in. The special incense was put on a burner placed in front of the musicians.

Because of the large number of people in the courtyard, dancing space was at a premium, but later, when everyone became involved, the space was fine.

At around eleven, a few of the older people, plus some jet-lagged guests who had flown in, departed during a break - which was probably just as well, as the next section of hot hadra was to prove very exciting. At this stage the guests, which to our surprise included all of Fez's Purple Circle, now numbered about forty - with local Moroccans outnumbering the expats. And it was the local Moroccans who were going to lead the way in the hot hadra...

Hot Hadra.
By half past eleven, the crowd had climbed to their feet and started swaying to the music. The effect of the music on European and Moroccan alike is difficult to describe and even more difficult to photograph. It really is a case of "you had to be there".

Bopping Blogger?

Soon the dancers included a special guest - a fellow blogger - from the Morocco Report, who had made the journey to Fez with a Canadian friend. It was a pleasure to have them attend.

The View from Canada?

As I mentioned, photography of hadra dancing is difficult - worse because of the extreme low light. There is also a haze of incense in the air and the fact that the music itself seems to take hold of you..

However, I have included a number of photographs below which I hope at least convey the feeling of what took place. The word "intense" springs to mind! There are two types of trance state recognised by the Hamadcha.The first is called hal and seems to be a non-violent trance, usually attributed to the Brotherhood's saint Sidi 'Ali ben Hamdush. The second is jidba, which is much more frenetic and which often occurs as an abrupt and dramatic transition from the hal. This state is often attributed to the jinniyya (female djinn) 'Aisha Qandisha.

Dancing in the hal and cloud of incense

The dancer in white becomes a blur during hal

One of the surprises was the reaction of Moroccans to the dancers who go into jidba. Very aware of what is happening, they quietly move into position around the dancer and restrain any violent movements and protect them from falling when overwhelmed by the trance. In the series of photographs below, a young woman is relatively easy to photograph at first - her movements being slower in the hal - but then as she enters jidba her dancing becomes wilder, her brother and one woman and then another move to support her before (in the final shot) she begins to collapse to the ground. You can click on the photographs to see a larger version.

After the dancer collapsed, she was sat down, given water and after about twenty minutes made a full recovery, but like most of the dancers, had no recollection of what had happened.

Meanwhile on the other side of the courtyard, four women begin to go into trance at the same time. They had moved quietly and gracefully, almost floating, through the crowd to be right in front of the musicians where there the transition from hal to jidba was rapid and dramatic, with one woman repeatedly thrashing her head against the ground. All the women came out of the jidba without any injury and within half an hour were sitting quietly with smiles on their faces - but again, no memory of what had taken place.




At this point taking photographs was too difficult as I had an overwhelming urge to dance...

The final thirty minutes or so are very much of a gentle wind down. Those who have gone into a trance have been revived, the musicians start a final section of the hadra - and then the atmosphere changed from the electricity charged previous hour to something more mellow and restful. The Musicians dance barefoot on the cold tiles, stamping out a hypnotic beat, but the urge now is to rest, not to dance.

Then it is over - the guests discover that a series of four different deserts have been served and are suddenly awake and hungry - that is except for some of those who have been working all day to make the marvelous evening happen.


OUR THANKS
Riad Zany would like to thank the following: Yousef for his very generous gift of the Hamadcha ceremony. The Hamadcha Brotherhood who gave us more than just a perfomance. Mouaniss Mohammed for being such a great organiser and also repeatedly telling me that it would not rain despite the forecast ( he was right ), Sanaa for cooking fabulous deserts as always, Thami for the energy friendship and fine food - a true brother. Karima for making sure the logistics and protocol problems were sorted and for hurrying back from Rabat to meet and greet the Purple Circle members. The evening was not just for Riad Zany but also especially for Suzanna who could not attend, but without whom Riad Zany would be a dream rather than a reality.

And finally our fine Fassi friends and the expat community (French and English speaking) who turned out in such numbers to give us the critical mass needed for the event to really take off. Thank you.

Photo credit: All photographs Sandy McCutcheon


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Sufi Festival in Fez

Fez Festival of the Sufi Culture April 27 – May 2.

The Programme

Friday 27 April
20:30 p.m. Artistic evening : Samaa (Spiritual Chants) of the East and the West.
First part : Mohammed Bajeddoub (Morocco)
Second part : Hassan Haffar (Syria)

Saturday 28 April
9:00 - 10:00 a.m. Opening
10:00 - 12:00 p.m. Lectures : Sufism and Human Development.
16: 00 - 18:00 p.m. Workshop : Sufism , Art and Poetry.
21:00 p.m. A Samaa evening with the Tijania Tariqa.

Sunday 29 April
9:00 - 12:00 p.m. Lectures : Sufism and Cultural Diversity.
16:00 - 18:00 p.m. Workshop : Sufism , Art and Poetry.
18 :30 – 20 :30 p.m. First part : Mohammed Bajeddoub (Morocco)
Second part : Hassan Haffar (Syria)
21:00 p.m. A Sama evening with Qadiriya_Boutchichiya Tariqa.

Monday 30 April
9:00 - 12:00 p.m. Lectures : Sufism and Human Rights.
16:00 - 18:00 p.m. Workshop : Sufism, Art and Poetry.
21:00 p.m. A Samaa evening with Charqaouia Tariqa


Tuesday 1 May
16:00 - 18:00 p.m. Workshop : Sufism, Art and Poetry .
21:00 p.m. A Samaa evening with Ouazzaniya Tariqa.

Wednesday 2 May
9:00 - 12 :00 p.m. Lectures : Sufism and the History of Morocco.
16:00 - 18:00 p.m. Synthesis of Lectures.
18:30-20:30 p.m. First part : Spiritual Chants with Ahl Fez .
Second part : Abd Al Malik’s Concert of Sufi Chants (Slam).


Artists’ biographies



Abd Al Malik
Born in Paris on the 14th of March 1975, this singer, originally from Congo, lived for a short time in Brazzaville as a young boy. He returned to France in 1981 and grew up in Strasbourg. When his parents divorced, he started first by mixing up with gangs and later on by getting involved with religious extremist groups. He went on to founding the N.A.P band, then discovered Sufism and became a peace advocate. He released his first solo album, “Le Face à face des cœurs” in 2004 and the second, “Gibraltar”, two years later.

Hassan Haffar
The Syrian-born Haffar is a muezzin in Aleppo. He is a craftsman by trade, a storyteller and a poet. He sings Sufi poems such as : « Le Sceau des Prophètes, Mélodies du Paradis », and « Jardin d’Eden » . His first album, released in 1995, was “Hassan Haffar et les Munsheds d’Alep”. Because of his authenticity, he is very much appreciated in the Arab world and in France. Haffar’s presence in this Festival is really an event as he very seldom gives public appearances. His latest album is named: “ Chants d’Éxtase”.

Mohamed Ba Jeddoub
Born in 1945 in Safi, Morocco, Mohamed Ba Jeddoub, at an early age, showed a great interest for traditional music, especially for Arabic Andalusian music and religious chants. He began his apprenticeship in the Zawiya. In 1961, he studied under the late great master Sidi Kadiri in Sale and then under the master Mohamed Tbayek in Marrakech. In 1963, he was introduced to Haj Driss Benjelloun, president of the Association des Amis de la Musique Andalouse in Morocco, who introduced him, in 1968 to the master Haj Abdekrim Raïs, the Labrihi Orchestra conductor. These great masters of Andalusian music helped him develop his talent as a singer, especially in the Maoual style.

Contact
Tél. : 00 212 35 65 39 53
Fax : 00 212 35 65 39 52
Email : contact@par-chemins.org
www.par-chemins.org


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The Fez bar report - part one.


A while ago we reported on the sleazy side of Tangier with a report: Beyond the beaded curtain. Now we have turned our attention to Fez and in particular the wild nightlife in the Ville Nouvelle. Two of our reporters went undercover to seek out the highs and lows - all in the name of research of course. You will find their report here:
The Bars of Fez


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Moroccan traveller's tale. #361

The View from Fez has been running a collection of stories on travel writing about Morocco - as an example, here is the latest. Links to the complete collection follows the story.
Adam Karlin writes for the Arizona Star and for Lonely Planet, so you would imagine that few travel experiences would really blow him away - maybe, until while in Morocco on a recent trip. He and his girlfriend were staying in the little village of Tamnougalt, at the Chez Yacob hotel. But let him pick up the story...
We had tagine and couscous for dinner (in Morocco, you always have tagine and couscous for dinner), and as night fell, I heard drums pounding off the narrow village streets. The noise came from just outside our hotel: a circle of men and village boys, some black, some Arab, some with roots as Jewish as pastrami on rye. They motioned us over, and we slurped tea while they joked in the muddy Moroccan pidgin of French, Berber and Arabic (my little French, for the record, served me very well in Morocco). A kid squatted next to me.
"Big movie star," a man said, smiling.
I smiled back, figuring they were joking.
"Brad Pitt," he said. Other boys rolled their eyes, like they'd heard this story a thousand times. Then one of the hotel managers spoke in fluent English.
"No, really!" he exclaimed. "He has just been in a movie with Brad Pitt and Cate Blanchett. 'Babel'!" The boy nodded excitedly, and now his friends followed suit, eager to claim some shared fame.
At the time, I dismissed the story as hyperbole. About a month later, though, while watching a DVD of "Babel," my jaw dropped as Boubker Ait El Caid — the boy in the drum circle — shot Cate Blanchett in the shoulder and basically upstaged a cast of A-listers with his impassioned admission of guilt.
But on my birthday, he and the hotel manager asked me to trade an American tune for their Berber ones. I hummed a few bars but got cut off.
"Is that Bryan Adams?"
"No."
"We like Bryan Adams."
Technically, Adams is Canadian, but they were already halfway into "Summer of '69." That was how I turned 26: watching the stars enflame the African sky in a mud castle, surrounded by friendly Moroccans singing Western pop songs. El Caid was there, but there was little babble that night; our inability to speak each other's languages warmed a shared affection, the connection that grows when two travelers' curiosity and one village's hospitality come face to face.

Earlier Travel Writing stories:

Travel Writing Fifteen.
Travel Writing Fourteen.
Travel Writing Thirteen.
Travel Writing Twelve.
Travel Writing Eleven.
Travel Writing Ten.
Travel Writing Nine
Travel writing eight
Travel writing Seven
Travel Writing Six
Travel Writing Five
Travel Writing Four
Travel Writing Three
Travel Writing Two
Travel Writing One


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Fodor's New Guide to Fez & Marrakech

While many people pack a copy of Lonely Planet, one of the other guides worth looking at comes from the famous Fodor imprint. While there is a wealth of information in their new edition about Morocco in general and Fez in particular, they also have a quick version on the net. Here is a sample from their weblog.

Fez is one of the world's best-preserved medieval cities, and provides Morocco's most challenging and rewarding urban experience. However, for first-timers it can be a confusing place, so we've pulled together some tips on getting around and where to stay, plus other helpful information.

Spend More Than One Day

In their rush to see as much of Morocco as possible, many visitors rush through Fez, spending only one night. This is a mistake, as Fez is not only the root of Moroccan history, tradition, and culture, but becomes more enjoyable the longer you stay. On your first day, the time-capsule medievalism may overwhelm you with its intensity. It'll take another full day of losing yourself in the labyrinth of anonymous derbs (tiny alleyways) to gain the confidence to find the treasures that lie just off the main auto-accessible road.

Stay in a Riad

The reason to come to Fez is to explore the medina, the labyrinthine old section of every Moroccan town. There's no better way to do it than to stay in a riad (a traditional medina house-hotel built around a courtyard). Fez has riad hotels for all budgets and in all styles. Each bedroom usually has an en-suite bath and sitting area, but keep in mind that televisions are rarely found in bedrooms. You can book a room, as you would at a regular hotel, or rent an entire riad and live like pashas of old. Check out some listings at agencies like Marrakech Medina and Terre Maroc. A room in a riad can cost anywhere from 600 dirhams a night (about $60) in a simple place to 5,000 dirhams a night for a sumptuous suite. Make sure to double and triple check your reservations, as it's not uncommon to arrive and be told that your three-room reservation has been changed to two-rooms. Also, call your hotel upon arrival to arrange a pick-up, as riads are often hidden down tiny streets and might be hard to find while dragging your luggage.

Be Sweet to Your Feet

You'll be doing a lot of walking. Wear comfortable, closed-up shoes, especially if you're visiting the tanneries, as there are often mysterious puddles or donkey droppings. When your legs and brain need a break, duck into one of the myriad havens behind the unremarkable medina doors. For example, if all you need is a quick mint tea break, sit at the delightful café on the roof of the Musée Nejjarine, at Place Nejjarine near the center of town. Otherwise, treat yourself to a decadent lunch at Palais Mnebhi, located on Souikt Ben Safi, just steps away from the medina's major sights. The interior is magnificent, and the food -- a multi-course bonanza of chicken tagines, couscous, Moroccan salads and sweet pastries -- is outstanding.

Get a Guide

You can get by without a guide in most parts of Morocco, but a guide on your first day in Fez is indispensable. Although getting lost and finding your way out of the maze of streets is a must-do experience, you still need to see the sights, and there's almost no hope of finding them on your first day alone. Your hotel can arrange to have a guide pick you up from your hotel, or you can hire one through the tourist office (guides are about $35, or 350 dirhams for 7 hours). You can arrange guided walking tours for as long or as short a period as you wish. Expect to pay around 150 dirhams for a long afternoon tour.

To Market to Market...

Fez is basically one enormous, overwhelming market. Learning the rules of the game will keep you from getting fleeced, and help you come away with souvenirs you actually like. First, don't buy anything on your first day; instead, compare prices in different shops and get an idea of what's out there. Secondly, bargaining is everything, and confidence is key. Even if you have no idea what you're doing, knock off about half the quoted price of any object you want and pretend to leave if they don't budge.

The Ensemble Artisanale, on Rue Alla Ben Abdellah, a short taxi-ride away in the Ville Nouvelle, is a great shopping option. It's a government-run cooperative, so prices are set according to actual guidelines (you still have to bargain a bit, though). Each of the major crafts -- pottery, ironwork, woodwork, rugmaking -- is represented by a single workshop with specially trained craftsmen. The lanterns made by Haddadi Ali are especially recommended, as they're of much higher quality than most lanterns you'll find in the medina. Many merchants will wrap items well and ship them home. (You can also arrange for shipping through the DHL office on Avenue des F.A.R. However, it's a good idea to pack an empty bag in your luggage for items you'll buy on the trip.)

Dress

"What should I wear?" is one of the most-often asked questions by first-timers to Fez. Fez is probably where you'll see most locals in djellabahs (the traditional long dress worn by men and women), so visitors should dress as conservatively as possible while still being comfortable. Since so many visitors to Morocco are French, the fashion bar is set pretty high. Temperatures are in the 80s for much of the year. However, men should always wear long pants (shorts are strongly frowned upon in Morocco, except at the beach). Women in tank tops can get a lot of stares, so you'll probably feel less conspicuous in a top that has at least short sleeves.

Other Tips

Look around when you hear the word "Balek!" This is roughly Arabic for "Watch out!" Donkeys fill the entire width of the street, and you'll often have to press yourself against a wall to make way for the beasts of burden or for men carrying goods on wheelbarrows.

Make sure you have plenty of small change. Tipping people five or 10 dirhams is expected for almost every small service rendered, from showing you around the tanneries to providing directions.

Drink lots of water. The city streets can get hot and close during the afternoon. When buying bottled water on the street, check that the seals on the lid have not been opened. Sometimes people fill bottles with tap water. The safest thing to do is to drink bubbly water, which can't be faked. Sidi Ali is a good local brand, and you can get a small bottle for about 5 dirhams.

Try Royal Air Maroc. There are no direct flights to Fez from the U.S. The easiest way to get there from the U.S. is to take the nightly Royal Air Maroc flight from JFK to Casablanca and get the short connecting flight to Fez. The flight usually costs between $650 and $900, depending on the season. Spring is high season in Morocco, but fall is also a great time to visit, provided you avoid Ramadan, when the entire population fasts during daylight hours.

Here is another example of their hit list.

Destination Morocco: Fez and Marrakesh

Fez and Marrakesh continue to be Morocco's most popular tourist destinations, and with good reason. Fez is the Arab capital of Morocco, its center of learning and culture, and home to the oldest university in the Western world. Marrakesh, the dreamy burg at the base of the High Atlas Mountains, is perhaps more sensual than Fez, but history and archaeology buffs will find it no less compelling. One could easily spend a month -- or several -- in either city, but if time is limited, here's a quick-hits tour of both cities.

Fez


Bab Boujeloud
This gate is 1,000 years younger than the rest of the medina, but it's generally considered the city's most beautiful point of entry.

Andalusian Mosque
One of Fez's most imposing structures, the mosque was erected in AD 859. The detailed carvings in the eaves are the main attraction.

Attarin Medersa
This is arguably the loveliest medersa in Fez, famous for its graceful proportions and elegant, geometrical carved-cedar ornamentation as well as its excellent state of preservation.

Bou Inania Medersa
First organized in the 10th century, the university is considered by many to be the Western world's first center of higher education, predating Oxford, La Sorbonne, and Bologna.

Nejjarine Museum of Wood Arts and Crafts
The museum displays Morocco's various native woods, 18th- and 19th-century woodworking tools, and a series of antique wooden doors and pieces of furniture.

Kairaouine Mosque
One look through the doorway will give you an idea of the immensity of this place. It was Morocco's largest mosque until Casablanca's Hassan II Mosque came along in the early 1990s.

Dining Tip: Al Firdaous (10, rue Zenjfour) has mastered the art of Moroccan tagines, pastillas, and couscous. Expect belly dancing, Berber Gnaoua music and exceptional service.

Marrakesh

Menara Garden
A popular rendezvous haunt for locals, the garden is a peaceful and refreshing removal from the intense hustle and bustle of the city itself. (photo, right)

Ali Ben Youssef Medersa
North Africa's largest such institution, the medersa is an extraordinarily well-preserved 16th-century Koranic school.

Djemâa el Fna
Centuries-old meeting place of regional farmers and tradesmen, the Djemâa stretches as far as the eye can see, flanked with small mosques and a series of cafés.

El Badi Palace
This 16th-century palace's vast sandstone ruins are now a serene nesting ground for storks. Along the palace's south wall are a series of underground dungeons and corridors, which you can freely explore.

Saadian Tombs
The mausoleum complex was discovered only in 1917 during the French Protectorate. The central mausoleum, the Hall of Twelve Columns, which contains the tombs of Ahmed el Mansour and his family, is dark and lavishly ornate.

Ramparts
The medina's well-preserved walls measure about 33 feet high and 7 feet thick. Until the early 20th century, the gates were closed at night to prevent anyone who didn't live in Marrakesh from entering.

Dining Tip: Dar Marjana (15, Derb Sidi Tair, Bab Doukkala, opposite Dar el Basha) has exquisitely delicious couscous, lamb tagine, and a troupe of lively Gnaoua musicians. Do try the mahia -- fig liqueur. The staff is charming and the fixed price includes unlimited drinks.


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ATMs in Morocco.

ATM FACT FILE

Visa and Mastercard are accepted at most ATMs for cash advances, but remember credit cards are not accepted at a lot of smaller shops. The maximum amount you can withdraw is usually 4000 dirhams which is around 370 Euro, 460 USD or 230 British pounds.

You can search for Visa locations here: Visa Search
You can search for Mastercard here: Mastercard Search

Dinners Club and American Express are hardly ever accepted. If you have American Express you can find agents at Schwartz Voyages offices.

Executive Office: 197, Bd.Zerktouni, Angle Rue d'Avignon, 7ème étage - Casablanca
Tel: (212) 22 36 73 30
Fax: (212) 22 36 72 84
E-mail: info@schwartz-voyages.com

Head Office : C/O Hôtel Intercontinental - Parc brooks- Tanger
Tel: (212) 39 93 60 28
Fax: (212) 39 93 01 59
E-mail: info@schwartz-voyages.com

Branch Office : 112 Av. Prince Abdellah - Casablanca
Tel: (212) 22 36 73 30
Fax: (212) 22 36 72 84
E-mail: info@schwartz-voyages.com

Branch Office : 54, Bld Pasteur - Tanger
Tel: (212) 39 93 60 28
Fax: (212) 39 93 01 59
E-mail: info@schwartz-voyages.com

Branch Office : 1, Rue Mauritania - Imm.Moutawakil - Marrakech
Tel: (212) 44 43 74 69
Fax: (212) 44 43 74 69
E-mail: info@schwartz-voyages.com

SOME ATM RULES
(courtesy of Morocco Time)

  • 1. Never use an ATM at a bank that’s not open.

  • 2. Have a “buffer” bank account. By that, I mean have a second checking or savings account for use overseas, not tied to your main account by overdraft protection or anything similar. When you need money, transfer funds into it from your main account. That way, if your debt card or account number is compromised, there is minimal damage, and you can cancel the account without completely inconveniencing yourself.

  • 3. Don’t waste your time trying to be friendly when the situation involves your money. Be polite but firm.


  • See our story on THE DANGERS OF MOROCCAN ATMs


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    How do I fly to Morocco?

    We get a steady stream of emails from people wanting to know what airlines fly into Morocco. So, to make things easy for you, here is a list of carriers, including links to their websites. Remember to shop around as the prices for tickets varies considerably during the year. Bookmark this page as we will update the list as new services come on stream or others drop off. If you have fresh information about new services or ones that no longer operate, please email us at fes.riad@gmail.com


    Air Algerie
    Aigle Azur
    Air Berlin
    Air Europa
    Atlas Blue
    Alitalia
    Axis Airways
    Air France
    Air Malta
    Air Mauritanie
    Air Senegal
    Binter Canarias
    British Airways
    Buraq Air
    Condor
    Corsair
    Easyjet
    Edelweiss Air
    Egypt Air
    Emirates
    Etapes Nouvelles
    Etihad Airways
    First Choice
    Hapagfly
    Helisureste
    Iberia Regional
    Jet Air
    Jet4you
    Lufthansa
    Libyan Arab Airlines
    Neos Air
    Portugalia
    Qatar Airways
    Regional Airlines Maroc
    Royal Air Maroc
    Ryanair
    Saudi Arabian Airlines
    SN Brussels
    Spanair
    Star Airlines
    Sunway
    Syrian Arab Airlines
    Thomas Cook
    Thomsonfly
    THY Turkish
    Top Fly
    Transavia
    Tunis Air


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    Moroccan design - a trend for 2007?


    Recently we paid tribute to My Marrakesh for it wonderful coverage of Moroccan design and a superb shopping guide. Now, if you think that Moroccan design is suited only to Morocco, think again. It is not only wonderful almost anywhere - it is now very much in demand. If we had any doubts about that, they vanished when we came upon the website of design consultant Holly Becker who hails from Boston in the USA.

    Her Design 8 tribute to Morocco featured some wonderful photographs and a generous link to both The View from Morocco and My Marrakesh (Thanks Holly). The excerpt here is followed by a link to her site:

    Trends 2007: Mad About Morocco!


    I'm hearing lots of buzz about the Moroccan look, derived from Hispanic-Moorish style influences, bursting with warmth and energy. Before Canadian House + Home spotted the Modern Moor as a hot trend for '07, I was already seeing it popping up here in the states and last year, over in Germany, too. H+H says that the Modern Moor look avoids "busy" ethnic interiors by "modernizing the classic motifs and stripping them down to their pure and graphic essence."

    Seems culturally inspired decor is popular everywhere you look, Moroccan being one of my favorites because it's not only welcoming, warm, and somewhat inexpensive, but it's easy to pull together and adds lots of personality to a space. You don't have to go over the top with it either. A throw rug, some toss pillows, a bright yellow lamp, an accent wall, and that's all you need to pull together a rockin' little casbah of your very own.

    You will find Decor 8 here.

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    Meknes - the food guide

    You've seen the Meknes Bar Report compiled by our fellow blogger at the Morocco Report - well now she has compiled a restaurant report.
    I suppose you have no idea where to eat in Meknes! Sadly, Meknes is not the restaurant mecca that its larger sisters Marrakech and Rabat purport to be, but she holds her own compared to Fez at least. So without further ado, I bring you...

    The Meknes Restaurant Report

    Le Pub (Allal ben Abdellah) - My personal favorite, for the sheer fact that salmon roleaux are on the menu. Their steak is so juicy, it's probably not halal, and they have a full wine list and bar. The downstairs "club" of sorts is a bit rowdy, with a live band, noise which occasionally assaults your ears in the dining area, but it's of no matter - the lasagne quatre fromages or the cotelete avec champignons make it worth it.

    Palais Didi (medina) - My favorite of the medina choices (though I admit that I have not yet eaten at Ryad Bahia). The food isn't even that spectacular, but this renovated guesthouse-riad has the best atmosphere and the best views from the rooftop. If you order the tajine for your whole party, it will be fantastic, but the other choices weren't so stellar.

    Les Colliers de la Colombe (medina) - Another incredible view, but this time it overlooks the dry Oued Boufekrane and Meknes' ville nouvelle (Hamrya). The steaks were too fatty, but try the b'stila - to die for. The best part is that this fancy restaurant is nowhere near as overpriced as the palace restaurants of Fez.

    Grilladiere - Moving into the next class of restaurants, Grilladiere is Morocco's equivalent of say, TGI Friday's. Clean, somewhat out of the way (I don't recall the street name), but with a delicious menu of brochettes, Frenchy salads, pizza, and even a "poissonerie," Grilladiere is a good bet, particularly with family or for lunch. They also deliver!

    Pizzeria Le Four (near the Amir Abdelkader train station) - Styled with Italian woodworking, low ceilings, and a fake rose on table, the pizza here is delicious and I believe they have draught beer. Quite tasty onion soup as well, and good prices.

    Quik (Route de Fez, Kumbata) - A bit out of the way, but a great stop if you've got a car and are heading in the direction of Fez. The specialties are pizza and Vietnamese. You heard me right. Try the Vietnamese soups and the Jardiniere pizza.

    Serenity (Ave. Mohammed V) Another of my favorites. This place is bright and sunny, the servers are highly competent, and they serve pizza, pasta, tajines, panini, crepes - you name it. The salads and desserts are the best in Meknes, and in the summer, their rooftop patio is absolutely lovely day or night.

    Label' Gallery - Why am I mentioning fast food? Because if you're in Meknes for quite some time, you might start craving it and McDonald's is atrocious just like everywhere in the world. And because it's the only really "foreign" food in town - there's Petit Libanais (excellent), Bangkok Cafe (delicious) and Nachos y Tacos Tex Mex (um, only the fajitas are edible). We get delivery from Bangkok frequently - the salade Vietnamienne is so good I can't resist it.

    Midway Pizza - Delicious pizza but virtually no seating area. There's one in Fez as well.

    I give each and every one of those the seal of approval. There are a few other nice places, but I haven't tried them out yet. Restaurant Bellevue is one, but it's only open for lunch and has a bar, so I'm waiting for a long day off to really try it out. Another is some new hotel out by Marjane, but without a car, it's pointless, as taxis don't often run after Marjane closes. I'll keep you posted.

    Our thanks to The Morocco Report

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